Showing posts with label Sex & Drugs & Rock & Roll. Show all posts
Showing posts with label Sex & Drugs & Rock & Roll. Show all posts

Monday, 23 September 2013

Birth of a Band 1

If you scoot back over the news section of the Mechkov website, you will see that (apart from news of a cracking new soundscape album) there is a flurry of news regarding my new band, Custard Cream. From this flurry, it is also (I hope) clear that the band has managed to cement itself into the local gigging scene with some speed following its first gig on May 11th this year (2013).
I thought I ought to get down how this came about…
There is a rather spiffing little website here in the UK called joinmyband, through which musicians and singers can find other musicians and singers, and which I had been trying (unsuccessfully) to get people to hop in on my projects.
Ah! We are a funny bunch, we musos. We seem, when we are together, to have so much in common when together on a stage, but when a person has his own plans and ideas, getting others involved is a tough ask. They are all far too busy trying to find others to join them on their projects.
So, having had limited success on this, my wife suggested I join in on someone else’s project – and maybe earn some money while I was at it.
Unfortunately, the ad I followed up on the site is now long gone, but it went something along the lines of: “Custard Cream is moving to Berkshire and needs a drummer, bassist and a singer to join lifelong pals Nige and George on guitars for a blues and rock band. We have a lot of experience and our own Sharon Osborne.”
Can you tell what the clincher might have been for me here? Yes, of course, as with any musician, the thought of having someone actually taking on the responsibility of marketing, managing and promotion was too much to ignore – let alone hope for. I answered the ad immediately and pretty soon Nige and I were in correspondence. I’m guessing that he was attracted to me as an option because I could both play bass and sing AND I had my own website with original music. He wasn’t interested in this, but it does show I have some capability without having to go through the pain of a crap rehearsal.
The email chain goes back to September 26th 2012 and it appears that Nige had said that the band would be able to meet during weekdays – this really did sell the project to me. Nige was moving to the area from Cornwall, so I figured it would be best to leave him and his family to the horrors that are moving house before pushing for anything more.
By mid-October, Nige informed me that he thought he had found a drummer – and, what is more, one that could rehearse on a weekday (one day per week), but that, following the move, he would have to spend a few weeks doing the house up before ‘Sharon’ would even let him think of going out to rehearse. Fair enough, I thought.
By October 19th, we had shared set lists and George had come through with a sort of hybrid list based on all of our contributions of song titles and Nige was saying we would be in rehearsal by December at the latest and gigging in January. ‘Bloody perfect’ was my thought on the issue.
Come the end of November, I was champing at the bit to get into rehearsal, but Nige still hadn’t finished his ‘house work’ and so we agreed to postpone until after Christmas and meet up in the New Year. It also turned out that George (the other guitarist) would NOT be able to rehearse on weekdays… hmm…
In the meantime, the drummer, Neil, suggested that we meet up for a drink. Yes, all of this planning and we hadn’t even met – yet, for some reason, I felt sure this was going to be a good project…
Why? I have absolutely no idea. Normally when I have a gut feeling for something, I end up being so wrong, I have to pretend I was never really interested in the first place, but of course at the time it all seems to make perfect sense. I really did not see this as being something that was dragging on.

Monday, 24 June 2013

Manners will get you nowhere

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I suppose it kind of ties in with the whole ‘Joys of Mediocrity’ subject thread that those who succeed tend to be single-minded, ruthless and altogether unpleasant. This is a sweeping statement that will garner a huge wave of protest and the production of a series of exceptions that go an awfully long way to disprove the rule. But…

I watched the Sex & Drugs & Rock & Roll movie a year or so ago (and terrifically good it was, too). In it Andy Serkis’ portrayal of the late, great Ian Dury showed a man so determined to succeed, and so convinced of his deserving success that anyone or anything that stood in his way was treated with such an utter disregard as could easily be interpreted as contempt.

Pop and rock music is littered with such people. David Bowie, Eric Clapton – in fact all three members of Cream – John Lennon, Eminem, Victoria Beckham even… And not just music, of course. A brief look at the life of Charles Dickens will produce a very similar picture. Brian Clough, anybody? Alex Fergusen? Robert Oppenheimer?

Single-minded people tend to work hard and push through obstacles and barriers. The hard work brings them up against more barriers than the lackadaisical, and the stubbornness keeps them battering at them until they give way.

I’m sure to their kith and kin, these people are as lovely as any other person on earth – certainly once they have achieved the important goals they seek – but to the rest of us… Well, we are just potential barriers or obstacles.

I kind of wish I had known this 40 years ago. If someone had had the foresight to instill this into me as an 11-year-old, I’m almost certain I would be far closer to achieving the things I want to achieve by now. I am sure that I would ‘be there’.

Instead, I am still trying to convince myself that it is worth being a little more unpleasant if it means getting what I want. Dammit all, I’m not exactly Mr Popular as it is – why the hell should I worry about what people I don’t really know think?

But I do.

Those of you following the news on the Mechkov website will be well aware that I have been gigging recently with a new band – a covers band playing the music of Cream and Hendrix and the like. This band began rehearsals in February with a mind to start gigging in March.

The guitarists, Nigel and George, were the protagonists in getting this band together and they called upon the skills of me for bass and vocals and Neil for drums.

Problem was, Neil was awful. Bad timing, bad rhythm and just all-round not very good at playing the drums. I kept schtum, thinking two things: first, he could improve if he takes it seriously and rehearses properly. Second, he has been brought here by the guys putting the band together.

Three weeks and lots of rehearsing later, we recorded the band in my little studio. It all sounded ok for the time we allowed ourselves… Except Neil. A friend of mine later said that his drumming sounded like someone falling down stairs… yes it did.

I finally told Nige and George that I couldn’t play with this guy.

“Oh, thank God for that!” they said. “We were just saying to each other that we couldn’t gig with him!”

“So why didn’t you say anything?” I asked.

“We didn’t want to upset you!”

Dear, oh dear! You see? Had I (or any of us) been a little more single-minded, a little more determined to get what we wanted and not let anything stand in our way, we would have ousted the dodgy drummer after rehearsal number one. Instead, we plodded on, wincing and grimacing, hoping that something would change or that someone else would do something to make a difference.

As Britons of a certain age, we are brought up that minding your Ps and Qs is an essential virtue. That might well be so, but no empires were ever built worrying about other people’s feelings. Sometimes you just have to say: “Please, stop. Please, go away! Please! Thank you!"